![]() But hardware and software vendors have devoted a great deal of time and resources to working color management into every nook and cranny of digital photography, so it must be important, right? Right: Color management exists because it solves a problem. With such a dry name, color management is often perceived as a technical chore to be avoided whenever possible. What Is Color Management Anyway?Ĭolor management can be an intimidating subject for photographers. If you read this chapter and find that you need more detailed information, pick up the book Real World Color Management (Peachpit Press) by color management guru Bruce Fraser, along with Chris Murphy and Fred Bunting. Writing just a chapter about color management doesn't do justice to the subject. In this chapter, we'll look at the features Photoshop offers to make what you see on the screen at least resemble, if not actually match, what you get in your printed output. ![]() In the last chapter, we broke the sad news that RGB and CMYK are very ambiguous ways of specifying color, since the actual color you get will vary from device to device. You just need to understand a few key concepts, learn where the buttons are, and use common sense in deciding when to push them. Without understanding how Photoshop handles color behind the scenes, there's no way to get great color (or black-and-white) images out of this program.Īlthough the color management system in Photoshop uses mathematics that approach rocket science, using the tools that control the system is fairly simple. If you're under the delusion that you can use Adobe Photoshop without using color management, this chapter is a must-read. We consider every topic in this book to be important, but color management is one of those subjects that can quickly make anyone feel stupid. Real World Adobe Photoshop CS4 for Photographers
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